(…) In the earth perspective of the immigrant, nomadic or new barbarian, the wall’s challenge is to overcome it. In the case of the Berlin Wall, the largest part of attempts were well documented, the most creative, are divided into two conflicting styles: overcoming the barrier by underground (digging tunnels) and overcome it by above (floating). The boat in this exhibition, wishing machine, is part of this second tradition, a tradition that seeks to circumvent the security by rising up from the ground. The reference to ‘Melilla Trench’ (double or triple barrier with 6m height, which seeks to prevent the migration flow) is direct, even because it combines its intent with the Mediterranean Sea.

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